Music

Alluri, V., Toiviainen, P., Jääskeläinen, I. P., Glerean, E., Sams, M., & Brattico, E. (2012). Large-scale brain networks emerge from dynamic processing of musical timbre, key and rhythm. Neuroimage, 59, 3677-3689. [pdf]

Brattico, E., Alluri, V., Bogert, B., Jacobsen, T., Vartiainen, N., Nieminen, S., et al. (2011). A functional MRI study of happy and sad emotions in music with and without lyrics. Frontiers in Psychology, 2, 308. [pdf]

Eerola, T. & Vuoskoski, J. K. (2011). A comparison of the discrete and dimensional models of emotion in music. Psychology of Music, 39, 18-49. [pdf]

Ishizu, T. & Zeki, S. (2011) Toward A Brain-Based Theory of Beauty. PLoS ONE, 6: e21852. doi:10.1371/journal.pone.0021852.  [pdf]

Lima, C. F., & Castro, S. L. (2011). Speaking to the Trained Ear: Musical Expertise Enhances the Recognition of Emotions in Speech Prosody. Emotion, 11, 1021-2031. [html]

Nelken, I. (2011). Music and the auditory brain: where is the connection? Frontiers in Human Neuroscience, 5, doi: 10.3389/fnhum.2011.00106. [pdf]

Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, in press. [html]

Berkowitz, A. L., & Ansari, D. (2010). Expertise-related deactivation of the right temporoparietal junction during musical improvisation. Neuroimage, 49, 712-719. [html]

Brattico, E., Jacobsen, T., De Baene, W., Glerean, E., & Tervaniemi, M. (2010). Cognitive vs. affective listening modes and judgments of music – An ERP study. Biological Psychology, 85, 393-409. [pdf]

Müller, M., Höfel, L., Brattico, E., & Jacobsen, T. (2010). Aesthetic judgments of music in experts and laypersons–an ERP study. International Journal of Psychophysiology, 76, 40-51. [pdf]

Brattico, E., Brattico, P., & Jacobsen, T. (2009-2010). The origins of the aesthetic enjoyment of music – A review of the literature. Musicae Scientiae, Special issue 2009-2010, 15-31. [pdf]

Kleber, B., Veit, R., Birbaumer, N., Gruzelier, J., & Lotze, M. (2009). The brain of opera singers: Experience-dependent changes in functional activation. Cerebral Cortex, 20, 1144-1152. [html]

Müller, M., Höfel, L., Brattico, E., & Jacobsen, T. (2009). Electrophysiological correlates of aesthetic music processing. Annals of the New York Academy of Sciences, 1169, 355-358. [html]

Limb, C. J., & Braun, A. R. (2008). Neural substrates of spontaneous musical performance: An fMRI study of jazz improvisation. Plos One, 2, e1679. [pdf]

Mitterschiffthaler, M. T., Fu, C. H. Y., Dalton, J. A., Andrew, C. M., & Williams, S. C. R. (2007). A Functional MRI Study of Happy and Sad Affective States Induced by Classical Music. Human Brain Mapping, 28, 1150–1162. [html]

Koelsch, S., Fritz, T., von Cramon, D. Y., Müller, K., & Friederici, A. D. (2006). Investigating emotion with music: An fMRI study. Human Brain Mapping, 27, 239-250. [html]

Pallesen, K. J., Brattico, E., Bailey, C., Korvenoja, A., Koivisto, J., Gjedde, A., et al. (2005). Emotion processing of major, minor, and dissonant chords. Annals of the New York Academy of Sciences, 1060, 450-453. [html]

Brown, S., Martinez, M. J., & Parsons, L. M. (2004). Passive music listening spontaneously engages limbic and paralimbic systems. Neuroreport, 15, 2033-2037. [pdf]

Altenmüller, E., Schurmann, K., Lim, V. K., & Parlitz, D. (2002). Hits to the left, flops to the right: different emotions during listening to music are reflected in cortical lateralisation patterns. Neuropsychologia, 40, 2242-2256.[pdf]

Blood, A. J., & Zatorre, R. J. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences, 98, 11818-11823. [pdf]

Blood, A. J., Zatorre, R. J., Bermudez, P., & Evans, A. C. (1999). Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions. Nature Neuroscience, 2, 382-387. [pdf]

Stimulating research on the biological basis of aesthetics

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