Matthias Sperling: Now That We Know

Matthias Sperling returns to Lilian Baylis Studio in London with Now That We Know, a science fiction lecture exploring a future relationship between mind and body, on Thursday 1 and Friday 2 November.

Now That We Know explores a hypothetical future in which science has discovered precisely how our bodies give rise to our mind – there is no longer a gap between the two. It considers how dance and choreography could be expanded by this new understanding, and how society will be altered.

Matthias Sperling is a choreographer and performer working in London, originally from Canada. His work looks at close interactions between contemporary visual arts and the brain sciences, and has been presented in theatres and galleries internationally. Duet, Duet was performed at the Southbank Centre in 2010, and The Movers, a collaborative performance with Carlos Motta, was performed in The Tanks at Tate Modern in 2013. He also appeared in conversation with Guido Orgs at the Wellcome Collection last year to discussNow That We Know, as part of the exhibition States of Mind.

The show is also accompanied by a symposium – the Institute of Neurochoreography: First Open Congress, at 2.30pm on Friday 2 November. Speakers include neuroscientist Guido Orgs, artist and performance maker Choy Ka Fai and choreographer Colette Sadler, among others. Together, they envisage the first ‘official’ gathering for the fictional institute Sperling is imagining throughout the performance and his research.

For more information, see the press release and Matthias Sperling’s website

The Unification of the Arts: Neurocognitive Perspectives on What the Arts Share and Why

Steven Brown has organized a one-day conference will explore the underlying similarities and differences among the arts, both at the cognitive and neural levels. Such factors permit syntheses of the arts, such as dancing to music, singing words, streaming background music in a movie, or blending sounds and visual elements in multimedia forms. By understanding how artforms are able to combine, we can aspire towards a unification of the arts.

Conference date: Friday, May 11, 2018

Time: 9:30 am – 5:00 pm

Place: Council Chambers, Gilmour Hall; McMaster University; Hamilton, Ontario

Speakers:

  • Ellen Dissanayake (University of Washington): origins of the arts
  • Raymond Mar (York University): literature/theatre
  • Oshin Vartanian (University of Toronto): the visual arts/architecture
  • Krista Hyde (University of Montreal): music
  • Steven Brown (McMaster University): dance
  • Anjan Chatterjee (University of Pennsylvania): aesthetics
  • Aaron Kozbelt (Brooklyn College, City University of New York): creativity
 

Organizer: Steven Brown (McMaster University)

Poster session: People are encouraged to present research findings related to cognitive and/or neural aspects of any branch of the arts at a poster session taking place during the lunch break. Abstracts should be submitted by April 20 to Matthew Berry at berryma@mcmaster.ca

Registration cost: $80 ($50 for enrolled students). This includes lunch.

To register for the conference or for more information, please visit: UniArts.info

 

CALL FOR PAPERS from The International Society for the Empirical Study of Literature

 CALL FOR PAPERS, IGEL Stavanger (NO), July 25-28, 2018 

The International Society for the Empirical Study of Literature (IGEL) invites submissions to the 2018 biennial conference across all areas of the empirical study of literature and media, including but not limited to, cognitive processing of literature, literature/media and culture, neuroscience and literature, literary reception, reading and emotion, historical study of literature, and corpus analysis of literature.

Check out all the information here

 

 Additional Information :

The official website of IGEL: http://www.igel.uni-goettingen.de/

The IGEL 2018 conference website: http://igel2018.no/